Today's Champagnes may be more expensive, but they're also riper, richer, more complex and just plain better, reports Patrick Schmitt.
MANY WOULD say it’s a privileged position – and I would have to agree. I’m talking about my chairing the Champagne Masters, which is 2025’s first major, comprehensive blind tasting competition for this fabled French region in the UK. As a result, it means that, by March this year, I’d tasted a generous array of the latest and impending releases from Champagne, giving me a sense of what’s coming the consumer’s way over the next few months.
With that in mind, I’ve not only picked out the best performers from this year’s competition to provide an overview of the judges’ favourites from 2025 but also outlined what I think are the key trends in Champagne style right now. In essence, the following pages should give you a taste of the top pops and 10 things I learnt from this extensive sampling.
Starting with the latter, one aspect to Champagne today is that low-dosage – even completely sugarless – Champagne can be balanced in character. In several instances during the blind tasting this year, it turned out that the cuvées either had very little sugar or were brut nature, and yet they weren’t lacking in terms of mouthfeel and drinking pleasure. I’m sure that a few years ago, such Champagnes would have finished with a hard, sometimes tart taste – or, indeed, with oxidative characters, perhaps because the winemaker had ditched the antioxidant sulphur dioxide along with the sugar when topping up the Champagne with wine following the disgorgement process.
Secondly, and linked to the more appealing nature of sugarless fizz, is the riper and richer taste of Champagne today. Many will believe that this is a product of a warming climate – and it is in part – but it’s also a result of winemaking changes. I found myself noting more often than not the presence of yellow fruit in the Champagnes this year, peach and pineapple in particular, as opposed to green apple and bitter lemon.
Benign climate
That is doubtless a product of riper grapes, itself a function of a more benign climate in Champagne, as well as lower yields and better viticulture. As for the richness, that comes from longer lees ageing times – as well as extended post-disgorgement resting – along with more reserve wines (in non-vintage cuvées). Overall, such changes are for the better and require lower dosages – explaining the balanced nature of increasingly dry Champagne.
Thirdly, in contrast to the trend towards generosity in terms of palate weight and fruit ripeness, there were a few examples where the Champagnes seemed hard, even tart, and a touch green. I later found out that such samples were those where malolactic fermentation had been blocked.
Non-vintage
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£10-£15 |
Champagne Haton |
Veuve Monsigny Champagne Brut |
NV |
Brut |
Silver |
£15-£20 |
Champagne Jean-Noël Haton |
Brut Selection |
NV |
Brut |
Silver |
£20-£30 |
Ferdinand Bonnet |
Grande Réserve |
NV |
Brut |
Silver |
Champagne Haton |
Veuve Monsigny Brut Champagne Premier Cru |
NV |
Brut |
Bronze |
Champagne Vollereaux |
Brut Réserve |
NV |
Brut |
Bronze |
Champagne Canard-Duchêne |
Brut Essentiel |
NV |
Brut |
Bronze |
Champagne Haton |
Réserve |
NV |
Brut |
Bronze |
Champagne Nicolas Feuillatte |
Grande Réserve Brut |
NV |
Brut |
Bronze |
£30-£50 |
Champagne Duval-Leroy |
Fleur de Champagne |
NV |
Brut |
Master |
GH Mumm |
Cordon Rouge |
NV |
Brut |
Master |
Champagne Thiénot |
Brut Collection Origine |
NV |
Brut |
Gold |
Champagne Collery |
Brut Grand Cru |
NV |
Brut |
Gold |
Champagne Duval-Leroy |
Brut Réserve |
NV |
Brut |
Gold |
Champagne Vieille France |
Brut Réserve |
NV |
Brut |
Gold |
Champagne Abelé 1757 |
Brut |
NV |
Brut |
Gold |
Champagne Le Brun de Neuville |
La Croisée des Chemins |
NV |
Extra-Brut |
Silver |
Champagne Pannier |
Extra Brut |
NV |
Extra-Brut |
Silver |
Champagne Jacquart |
Signature Extra-Brut |
NV |
Extra-Brut |
Silver |
Champagne Nicolas Feuillatte |
Réserve Exclusive Premier Cru Extra-Brut |
NV |
Extra-Brut |
Silver |
Champagne Joseph Perrier |
Cuvée Royale Brut Blanc de Blancs |
NV |
Brut |
Silver |
Champagne Pommery |
Brut Royal |
NV |
Brut |
Silver |
Champagne Jarry Héritage |
Alliance |
NV |
Brut |
Silver |
Champagne Besserat de Bellefon depuis 1843 |
Bleu Brut |
NV |
Brut |
Silver |
Veuve Clicquot |
Yellow Label |
NV |
Brut |
Silver |
Champagne Le Brun de Neuville |
Autolyse Noirs & Blancs |
NV |
Brut |
Silver |
Champagne Boizel |
Brut Réserve |
NV |
Brut |
Silver |
Champagne Canard-Duchêne |
Léonie Iconic |
NV |
Brut |
Silver |
Champagne Pol Couronne |
Brut 1887 |
NV |
Brut |
Silver |
Champagne Palmer & Co |
La Réserve |
NV |
Brut |
Silver |
Piper-Heidsieck |
Cuvée Brut |
NV |
Brut |
Silver |
Champagne Castelnau |
Brut |
NV |
Brut |
Silver |
Champagne Delamotte |
Delamotte Brut |
NV |
Brut |
Silver |
Champagne Nicolas Feuillatte |
Réserve Exclusive Brut |
NV |
Brut |
Silver |
Champagne Nicolas Feuillatte |
Organic Extra-Brut |
NV |
Extra-Brut |
Bronze |
Champagne Lombard |
Extra-Brut Premier Cru Blanc de Noirs |
NV |
Extra-Brut |
Bronze |
Champagne Castelnau |
Extra-Brut |
NV |
Extra-Brut |
Bronze |
Champagne Pannier |
Brut Sélection |
NV |
Brut |
Bronze |
Champagne Brimoncourt |
Brut Régence |
NV |
Brut |
Bronze |
Champagne Thiénot |
Thiénot X Penfolds Champagne Cuvée Brut |
NV |
Brut |
Bronze |
Champagne Deutz |
Brut Classic |
NV |
Brut |
Bronze |
£50-£70 |
Champagne Vranken |
Diamant Brut |
NV |
Brut |
Gold |
Champagne Pol Couronne |
L'Envol Bleu Grand Cru |
NV |
Extra-Brut |
Gold |
Piper-Heidsieck |
Essentiel Extra-Brut |
NV |
Extra-Brut |
Silver |
Champagne Billecart-Salmon |
Le Réserve |
NV |
Extra-Brut |
Silver |
Champagne Telmont |
Réserve Brut |
NV |
Extra-Brut |
Silver |
Frerejean Frères |
Extra-Brut Premier Cru |
NV |
Extra-Brut |
Silver |
Champagne Delamotte |
Blanc de Blancs |
NV |
Brut |
Silver |
Champagne Drappier |
Carte d'Or |
NV |
Brut |
Silver |
Champagne Barons de Rothschild |
Brut Nature |
NV |
Brut Nature |
Bronze |
Champagne Palmer & Co |
La Réserve Nature |
NV |
Brut Nature |
Bronze |
Champagne Jarry Héritage |
Essentielle |
NV |
Brut |
Bronze |
Champagne Gosset |
Grande Réserve |
NV |
Brut |
Bronze |
Champagne Castelnau |
La Solera 9.2 |
NV |
Brut |
Bronze |
It seems to me that Champagne is yet to produce fruit ripe enough to suit such a style, unless the base wines are really rich or destined for especially long ageing, on and off the lees. In my view, allowing the wines to go through malolactic brings an appealing creaminess to the fizz that suits those lower dosages mentioned above.
Indeed, the problem may be that non-malo styles have been allied to low dosages, and it would be better to choose one or the other to yield fresh-tasting fizz: in other words, a standard dosage with a non-malo cuvée or an extra brut where the malolactic conversation is desired. Another technique – favoured by non-malo maison Besserat de Bellefon – is to lower the pressure, which brings finer bubbles to the Champagne, and therefore a creamy texture, not an aggressive-feeling fizz.
Return to oak
Fourthly, I believe an element to Champagne-making that is bringing an appealing and complexing element to cuvées is the gradual return to using oak vessels for the fermentation and/or ageing of base wines. Often employed for reserve wines, it seems that the oak imparts a roundness to the wines and possibly some fine and appealing tannin too. Such an influence may also explain why lower-dosage Champagnes don’t appear as firm as they did a decade ago.
Primarily, however, the use of a small proportion of oak-influenced wines brings another layer of interest to Champagne which, generally, is becoming more complex due to the greater and more varied components in a blend – sometimes due to sourcing over a wide area but, in the majority of cases, due to the greater range of reserve wines used in multi-vintage blends.
Fifthly, it is my belief that one should not fear unusually ripe vintages in Champagne, nor dismiss them as incapable of ageing gracefully. I say that after tasting a host of first-rate vintage offerings from the hot and dry 2015 harvest, the record-breaking heatwave year of 2018 and an exciting taste of the extreme 2003 – a bottling now more than two decades old and still lively and delicious (yet written off at the time as being overripe).
Non-vintage (continued)
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£70-£100 |
Champagne Telmont |
Réserve de la Terre |
NV |
Extra-Brut |
Gold |
Champagne Laurent-Perrier |
Laurent-Perrier Héritage |
NV |
Brut |
Gold |
Champagne Pommery |
Apanage 1874 Brut |
NV |
Brut |
Gold |
Moet & Chandon |
Brut Impérial en magnum |
NV |
Brut |
Silver |
£100+ |
Champagne Cattier |
Clos du Moulin Brut Premier Cru |
NV |
Extra-Brut |
Silver |
Vintage
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£30-£50 |
Champagne Gardet |
Millésime Extra-Brut |
2016 |
Extra-Brut |
Gold |
Champagne Vollereaux |
Blanc de Blancs Millésime |
2014 |
Brut |
Silver |
Champagne Haton |
Noble Vintage |
2020 |
Brut |
Silver |
£50-£70 |
Moet & Chandon |
Grand Vintage |
2016 |
Extra-Brut |
Gold |
Champagne Cattier |
Brut Millésime Premier Cru |
2015 |
Extra-Brut |
Gold |
Champagne Castelnau |
Vintage |
2006 |
Brut |
Gold |
Champagne Delamotte |
Blanc de Blancs |
2018 |
Brut |
Gold |
Champagne Castelnau |
Vintage Blanc de Blancs |
2009 |
Brut |
Gold |
Champagne Vieille France |
Vintage |
2007 |
Brut |
Gold |
£70-£100 |
Piper-Heidsieck |
Vintage |
2018 |
Brut |
Grand Master |
Champagne Palmer & Co |
Grands Terroirs |
2015 |
Brut |
Gold |
Champagne Laurent-Perrier |
Vintage |
2015 |
Brut |
Gold |
Champagne Joseph Perrier |
Le Ciergelot Blanc de Noirs |
2020 |
Brut Nature |
Gold |
Champagne Joseph Perrier |
Cuvée Royale Brut |
2015 |
Extra-Brut |
Silver |
£100+ |
Champagne Henriot |
L'Inattendue |
2018 |
Brut Nature |
Master |
Moet & Chandon |
Grand Vintage Collection |
2003 |
Extra-Brut |
Master |
Champagne Drappier |
Réserve de l'Oenothèque |
2004 |
Brut |
Silver |
Prestige Cuvée
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£30-£50 |
Champagne Gardet |
Prestige Charles Gardet Blanc de Blancs |
NV |
Brut |
Silver |
£70-£100 |
Champagne Collery |
EmpyreumatiC Grand Cru |
2014 |
Brut |
Gold |
Champagne Thiénot |
Cuvée Alain Thiénot |
2008 |
Brut |
Gold |
Champagne Nicolas Feuillatte |
Palmes d'Or Brut |
2009 |
Brut |
Silver |
Prestige Cuvée (continued)
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£100+ |
Champagne Gosset |
Celebris Vintage |
2012 |
Brut |
Master |
Champagne Collet |
Esprit Couture |
2015 |
Brut |
Master |
Rare Champagne |
Millésime |
2012 |
Brut |
Master |
Champagne Castelnau |
Hors-Catégorie |
NV |
Brut |
Gold |
Champagne Henriot |
Cuvée Hemera |
2013 |
Extra-Brut |
Gold |
Moët & Chandon |
Collection Impériale Creation 1 |
NV |
Brut Nature |
Gold |
Champagne Pannier |
Egerie |
2015 |
Extra-Brut |
Gold |
Champagne Besserat de Bellefon depuis 1843 |
Cuvée des Moines Blanc de Blancs |
2015 |
Extra-Brut |
Gold |
Champagne Billecart-Salmon |
Nicolas François |
2012 |
Extra-Brut |
Gold |
Champagne Barons de Rothschild |
Triptyque |
2018 |
Extra-Brut |
Gold |
Veuve Clicquot |
La Grande Dame |
2015 |
Brut |
Gold |
Champagne Deutz |
William Deutz |
2014 |
Brut |
Gold |
Champagne Drappier |
Grande Sendrée |
2012 |
Brut |
Gold |
Champagne Drappier |
Grande Sendrée |
2015 |
Brut |
Gold |
Champagne Duval-Leroy |
Femme de Champagne |
2008 |
Brut |
Gold |
Perrier-Jouet |
Belle Époque |
2016 |
Brut |
Gold |
Champagne Abelé 1757 |
Le Sourire de Reims Brut Millésimé |
2013 |
Brut |
Gold |
Champagne Besserat de Bellefon depuis 1843 |
Cuvée des Moines Millésime |
2012 |
Extra-Brut |
Silver |
Blanc de Blancs
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£20-£30 |
Champagne Vollereaux |
Blanc de Blancs Brut |
NV |
Brut |
Silver |
£30-£50 |
Champagne Le Brun de Neuville |
Côte Blanche |
NV |
Brut |
Gold |
Champagne Haton |
Blanc de Blancs |
NV |
Brut |
Silver |
£50-£70 |
GH Mumm |
RSRV Blanc de Blancs |
2015 |
Brut |
Gold |
Champagne Duval-Leroy |
Blanc de Blancs |
2008 |
Brut |
Gold |
Champagne Abelé 1757 |
Blanc de Blancs |
NV |
Brut |
Gold |
Champagne Besserat de Bellefon depuis 1843 |
Blanc de Blancs Grand Cru |
NV |
Brut |
Gold |
Champagne Collet |
Blanc de Blancs |
NV |
Brut |
Gold |
Champagne Vranken |
Diamant Grand Cru |
2014 |
Brut |
Gold |
Champagne Boizel |
La Côte Blanc de Blancs Premier Cru |
NV |
Extra-Brut |
Silver |
Champagne Haton |
Extra Blanc de Blancs |
NV |
Brut |
Silver |
Champagne Jarry Héritage |
Spirituelle |
NV |
Extra-Brut |
Bronze |
Champagne Vieille France |
Blanc de Blancs |
NV |
Brut |
Bronze |
Champagne Canard-Duchêne |
Blanc de Blancs Iconic |
NV |
Brut |
Bronze |
£70-£100 |
Piper-Heidsieck |
Essentiel Blanc de Blancs |
NV |
Extra-Brut |
Gold |
Champagne Laurent-Perrier |
Blanc de Blancs Brut Nature |
NV |
Brut Nature |
Silver |
Champagne Lombard |
Brut Nature Le Mesnil-sur-Oger Grand Cru |
NV |
Brut Nature |
Silver |
Champagne de Venoge |
Princes Blanc de Blancs |
NV |
Brut |
Silver |
Champagne Palmer & Co |
Blanc de Blancs |
2018 |
Brut |
Silver |
£100+ |
Champagne Thiénot |
Thienot X Penfolds Blanc de Blancs |
2014 |
Brut |
Master |
Champagne Barons de Rothschild |
Rare Collection Blanc de Blancs |
2014 |
Extra-Brut |
Gold |
Champagne Gosset |
Celebris Blanc de Blancs |
2012 |
Brut |
Gold |
Champagne Deutz |
Amour de Deutz |
2014 |
Brut |
Gold |
Champagne Telmont |
Blanc de Blancs |
2015 |
Extra-Brut |
Gold |
Champagne Drappier |
Quattuor |
NV |
Brut |
Gold |
Perrier-Jouet |
Belle Époque Blanc de Blancs |
2017 |
Brut |
Gold |
Frerejean Frères |
VV26 Grand Cru |
NV |
Brut |
Silver |
Indeed, if I am to name my personal favourite Champagne of the competition, it would be the fizz from that latter anomalous harvest: Moët & Chandon Grand Vintage Collection 2003. If you want to experience what long-lees-aged Champagne can taste like from a heatwave harvest, then this provides a delicious insight – albeit an expensive one.
Sulphurous odours
Sixthly, on a negative note, in this year’s competition, as last year, there were a few high-priced Champagnes that did not win medals and therefore do not feature in this report. Why did they fail to make the grade? They had sulphurous aromas – like cabbage water in a couple of cases. At the time, I marked them down as fine Champagnes that had possibly suffered from light-strike, which can yield these unpleasant characters in fizz.
Later, I checked the bottles and found – as expected – that they were housed in clear glass. In both cases, they were blanc de blancs, a style that has become associated with transparent packaging due to the success of Ruinart Blanc de Blancs in its beautiful, bulbous, clear bottle (which was not in the tasting). While I can understand the commercial reasons for wanting to house Champagne in clear glass – it looks so enticing – all I will say is that it does come with a risk: that of a disappointed consumer.
Seventhly, pink Champagne appears to be getting better, while there is little consistency in appearance. In terms of quality, this category of Champagne used to be the most disappointing – with high-priced cuvées attracting just ok scores.

Today, some of these pretty Champagnes are really serious sparkling wines. In terms of look, while still rosé now almost entirely looks like its Provençal template, with the pale hue of poached salmon, when it comes to Champagne, some are a delicate peach in colour, others almost translucent ruby.
This lack of standardisation is exciting – a wine should not be judged on its colour, and some of the darker rosés from Champagne are exceptional. If they were in the still wine category, they would struggle commercially. I suppose it helps that a lot of great pink Champagne is sold in green glass, just with pretty, colourful labels to signal their style.
This lack of standardisation is exciting – a wine should not be judged on its colour
Blanc de Noirs
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£20-£30 |
Champagne Fallet Dart |
Cuvée de Réserve Brut |
NV |
Brut |
Silver |
Champagne Haton |
Classic |
NV |
Brut |
Silver |
Champagne Vollereaux |
Blanc de Noirs Brut Nature |
NV |
Brut Nature |
Bronze |
Champagne Charles de Cazanove |
Happy Holidays #3 Blanc de Noirs |
NV |
Brut |
Bronze |
£30-£50 |
Champagne Cattier |
Blancs de Noirs Premier Cru |
NV |
Brut |
Silver |
Champagne Vieille France |
Blanc de Noirs |
NV |
Brut |
Silver |
Ferdinand Bonnet |
Blanc de Noirs |
NV |
Brut |
Bronze |
Domaine Alexandre Bonnet |
Blanc de Noirs |
NV |
Extra Brut |
Bronze |
£50-£70 |
Champagne Pannier |
Blanc de Noirs |
2016 |
Brut |
Gold |
Champagne Collery |
Blanc de Noirs Grand Cru |
NV |
Brut |
Gold |
Champagne Canard-Duchêne |
Blanc de Noirs Iconic |
NV |
Brut |
Gold |
Champagne Pannier |
L'ôde au Meunier - Venteuil |
NV |
Extra-Brut |
Silver |
£70-£100 |
Piper-Heidsieck |
Essentiel Blanc de Noirs |
NV |
Extra-Brut |
Gold |
GH Mumm |
RSRV Blanc de Noirs |
2018 |
Brut |
Silver |
£100+ |
Champagne Telmont |
Blanc de Noirs |
2015 |
Brut |
Master |
Champagne Thiénot |
Penfolds X Thienot Blanc de Noirs |
2014 |
Brut |
Gold |
Eighthly, I’ve always thought that Champagne needs at least a generous dollop of Chardonnay to be really delicious, but increasingly, I’m changing my view. Why? Blancs de Noirs are so much better than they once were. They are often just as refreshing as blancs de blancs, yet with more apple richness – as opposed to citrus bite – and lovely, toasty, autolytic note,s too, as well as appealing, smoky, reductive characters in some cases.
It did help that the blancs de noirs we tasted this year weren’t from the entry level but vintage and prestige cuvée expressions. In other words, they should be good. Nevertheless, making Champagne just with red grapes need not be seen as a restriction on quality.
Ninthly, blancs de blancs still represent a reliable, finely crafted aperitif. Indeed, this style offers the ultimate pre-dinner fizz, with a chalkycitric-nutty combination that provides immediate palatecleansing appeal. More producers of this style seem to be striking this lovely balance of grilled nuttiness with linear freshness. Meanwhile, the dull, buttery characters that can be found in pure Chardonnay Champagnes, particularly with a bit of age, seem to be far less common.
Finally, Champagne is becoming more phenolic, particularly the brut NVs. I have noticed more often in my notes that I’m recording the presence of tannins in the wine. In most cases, they are fine, giving a dry, chalky sensation to the finish, which in my view adds appeal – not only making the mouth water, but also increasing the versatility of the fizz: a bit of fine-grained texture to Champagne helps clean the palate if one is having something to eat with the drink. After all, when fizz is served as an aperitif, it’s rarely without something to munch on, even if it’s just some crisps.
In essence, Champagne is riper, richer, better, a touch chewier, as well as more complex and drier. It’s also more expensive. And I have to say that I was somewhat amazed to see how many of the grandes marques we tasted in the brut NV category were over £50. In other words, even the base level of Champagne is now a luxury. Thankfully, it tastes like one.
Rosé
Winery |
Name of wine |
Vint |
Dosage |
Medal |
£30-£50 |
Champagne Joseph Perrier |
Cuvée Royale Brut Rosé |
NV |
Brut |
Gold |
Champagne Vieille France |
Brut Rosé |
NV |
Brut |
Gold |
Domaine Alexandre Bonnet |
Rosé |
NV |
Extra Brut |
Silver |
Champagne Canard-Duchêne |
Rosé Essentiel |
NV |
Brut |
Silver |
Champagne Brimoncourt |
Brut Rosé |
NV |
Brut |
Bronze |
Champagne Castelnau |
Rosé |
NV |
Brut |
Bronze |
Champagne Nicolas Feuillatte |
Réserve Exclusive Rosé |
NV |
Brut |
Bronze |
Champagne Jacquart |
Signature Rosé |
NV |
Brut |
Bronze |
£50-£70 |
Champagne Telmont |
Réserve Rosé |
NV |
Extra-Brut |
Gold |
Champagne de Venoge |
Princes Brut 3rd Edition |
NV |
Extra-Brut |
Gold |
Champagne Henriot |
Rosé |
NV |
Extra-Brut |
Gold |
Champagne Thiénot |
Thiénot X Penfolds Brut Rosé |
NV |
Brut |
Gold |
Champagne Deutz |
Brut Rosé |
NV |
Brut |
Gold |
Champagne Besserat de Bellefon depuis 1843 |
Rosé Brut |
NV |
Brut |
Gold |
Piper-Heidsieck |
Brut Rosé |
NV |
Brut |
Gold |
Champagne Thiénot |
Rosé Collection Origine |
NV |
Brut |
Silver |
Champagne Palmer & Co |
Rosé Solera |
NV |
Brut |
Silver |
Champagne Collery |
Rosé Brut |
NV |
Brut |
Silver |
Champagne de Venoge |
Cordon Bleu Rosé |
NV |
Brut |
Silver |
Champagne Abelé 1757 |
Rosé |
NV |
Brut |
Silver |
Champagne Duval-Leroy |
Rosé Prestige |
NV |
Brut |
Silver |
Champagne Pommery |
Brut Rosé |
NV |
Brut |
Silver |
Frerejean Frères |
Rosé Premier Cru |
NV |
Extra-Brut |
Bronze |
Champagne Gardet |
Prestige Charles Gardet Rosé de Saignée |
2013 |
Brut |
Bronze |
Champagne Canard-Duchêne |
Rosé Iconic |
NV |
Brut |
Bronze |
Veuve Clicquot |
Rosé |
NV |
Brut |
Bronze |
£70-£100 |
Moet & Chandon |
Grand Vintage Rosé |
2016 |
Extra-Brut |
Gold |
Champagne Laurent-Perrier |
Laurent-Perrier Cuvée Rosé |
NV |
Brut |
Gold |
Champagne Delamotte |
Delamotte Rosé Brut |
NV |
Brut |
Gold |
Champagne Drappier |
Rosé Brut Nature Les Riceys |
NV |
Brut Nature |
Silver |
£100+ |
Perrier-Jouet |
Belle Époque Rosé |
2014 |
Brut |
Master |
Veuve Clicquot |
La Grande Dame Rosé |
2015 |
Brut |
Gold |
Rare Champagne |
Rosé Millésime Magnum |
2012 |
Brut |
Gold |
Champagne Nicolas Feuillatte |
Palmes d'Or Rosé Intense |
2008 |
Brut |
Gold |
Champagne Gosset |
12 Ans de Cave à Minima Rosé |
NV |
Brut |
Silver |
Judges
Comments from co-chairs of the Champagne Masters
Jonathan Pedley MW
“We had three star categories: Blanc de Blancs, Vintage and Prestige Cuvée. The majority of our Golds and our three Masters came from these groups. As the individual notes show, there were some glorious wines here. Perhaps more than in any previous edition of the Champagne Masters, I was struck by the big step up in quality between most of the nonvintage wines and the vintage/prestige cuvée bottlings.
“On this showing, I guess that we have to grit our teeth, raid the piggy bank and restrict our Champagne purchases to the occasional top wine for special events.”
Patricia Stefanowicz MW
“The so-called non-vintage wines were rather variable. We found a few gems but, even at higher prices, the wines do not always deliver value for money.
“Vintage Champagnes were far more consistent, despite the different vintages.
“Throughout the categories, I found that many of the extra-bruts were too austere – even for me, a world-class acid-freak! I was convinced in a number of cases that the wines would have benefitted from a little more dosage, or possibly more ageing on the lees?
“Our group of prestige cuvées performed very well, with the more expensive wines all getting Golds. Gosset and Deutz were two stand-outs.
“Rosés were extremely variable, from adequate to very, very good. Our Golds included Telmont, de Venoge, Penfolds-Thiénot and Deutz at £50-70, while Joseph Perrier seemed a bargain Gold at under £50.”
For more in-depth coverage, our
2025 Champagne Report is available for digital download.